Shot by shot remake.

SCREEN SHOT FROM FINAL CUT PRO

After filming the shots on the storyboard around Angel we put all the footage onto Final Cut. There were 8 shots we needed to remake the opening of The Collateral however there was more footage as we tried to create the correct angles - i.e looking for the rule of thirds and accurately judging the extreme close up. We used slow motion when the bag was being dropped to add importance to the shot and show there was a large significance on the bag.


We had difficulty when editing Rochelle's legs during the picking up of the bag as we tried to configure two different shots that we took - however when editing we discovered there was a slight jump within the shot so we decided to only use one of the shots. This proved successful as the shot now runs smoother. Another problem we discovered after we had made the final remake was that during filming there was a police siren in the background - this diegetic sound was only in one shot so it didn't connect in every shot. We then had to take this sound off the clip in Final Cut Pro and drag the sound of traffic along the shots. 

SCREEN SHOT OF VIDEO DRIVE

I took this screen shot to familiarise myself with how to use the hardrive. Taking this helped me - as i'll be able to find all the footage taken previous to editing on Final Cut.